About
Latinos Who Lunch is a podcast hosted by artist FavyFav and art historian Babelito. Join them as they discuss everything from pop culture and art to issues of race, gender, and class in Latinx communities.
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Latinos Who Lunch is a podcast that was created to provide a digital media platform that reflects the intersectionality between queer, Latinx, and Spanglish voices in an Anglo dominated podcast world. FavyFav and Babelito approach the topics of identity, food, family and history in a responsible yet humorous way. Latinos Who Lunch intends to blend all these ideas together by placing into context everything from the piñata as a symbol of multiculturalism in Mexico, to the politics of Frida Kahlo as an icon of Mexicanidad. By maintaining visibility, accessibility and a philosophy of de-centering white male dominating cultural practices at the core mission of their content, Latinos Who Lunch strives to open a dialogue with their listeners.
Favy Fav
Based in Las Vegas, Nevada, and known for large-scale installations and sculptures that manifest his interactions with American pop culture and the Latinx experience, Justin Favela AKA FavyFav has exhibited his work both internationally and across the United States. His installations have been commissioned by museums including the Denver Art Museum in Colorado and Crystal Bridges Museum of American Art in Arkansas. His latest major project, Puente Nuevo, is on view in Fort Worth, Texas, at the Amon Carter Museum of American Art, through October 2020. He is the recipient of the 2018 Alan Turing LGTBIQ Award for International Artist. Favela hosts two culture-oriented podcasts, “Latinos Who Lunch” and “The Art People Podcast.” He holds a BFA in fine art from the University of Nevada, Las Vegas To view Favy's work please visit justinfavela.com and to listen to his other show visit ArtPeoplePod.com.
Babelito
Babelito (Emmanuel Ortega PhD, Art History, University of New Mexico) is a curator, and a Visiting Professor at the University of Illinois at Chicago. Ortega has lectured nationally and internationally on the topics of images of autos-de-fe, nineteenth-century Mexican landscape painting, and visual representations of the New Mexico Pueblo peoples in Novohispanic Franciscans martyr paintings. In 2015, Ortega partnered with the Museo de Arte Religioso Ex-Convento de Santa Mónica in Puebla México to curate two art exhibitions based on recently restored paintings from their collection, one of which is now part of their permanent galleries. Ortega is a recurrent lecturer for Arquetopia Foundation for Development, the largest artist residency in México. An essay titled "Spanish Colonial Art History and the Work of Empire," was published in Latin American and Latinx Visual Culture by the University of California Press in the summer of 2019.
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Photo by Krystal Ramirez